Arthur’s Ivory Thrones
Two identical thrones of gold and ivory, gifted to Arthur and Guenevere by Sir Bruiant of the Isles.
Introduction#
Among the treasures of Arthur’s court were two extraordinary thrones, presented to King Arthur and Queen Guenevere by Sir Bruiant of the Isles. These seats were more than mere furniture; they were symbols of regal authority, craftsmanship, and ceremonial significance, reflecting the splendor of the Round Table and the dignity of its occupants.
Craftmanship and Design#
The thrones were crafted entirely from gold and ivory, with no wood in their construction. They were identical in every detail, a remarkable feat of artistry. Each throne bore a finely carved leopard on one side and a crocodile on the other, likely chosen to evoke vigilance, courage, and the dual nature of power and wisdom within the court. This meticulous craftsmanship made the thrones both luxurious and emblematic, linking physical beauty with symbolic meaning.
Erec’s Coronation#
The thrones were not only decorative but also functional in ceremonial contexts. During Erec’s coronation as King of Outre-Gales, Arthur is said to have taken one throne while Erec occupied the other. This arrangement suggests that, on occasions of particular honor, Arthur may have allowed distinguished guests or newly crowned allies to sit in the Queen’s throne, marking moments of recognition and ceremonial importance.
Portability and Prestige#
Despite their considerable weight, the thrones appear to have been portable, accompanying the court from city to city as symbols of Arthurian prestige and authority. These thrones exemplify how material culture and symbolic ceremony were intertwined in the legendary world of Camelot, serving as both functional seats and markers of power, artistry, and the grandeur of Arthur’s reign.
Symbolism#
The twin thrones encapsulate multiple layers of meaning: the leopard and crocodile carvings suggest vigilance, strength, and the protective role of the monarchy; the identical nature of the seats emphasizes equality and balance within the royal household; and their portability reflects the mobility and influence of Arthur’s court across Britain. As such, these thrones occupy a unique place among the legendary artifacts of Arthurian romance.
Sources#
La Tavola Ritonda | c. 1325-1350
