Fearsome Kiss
The Fearsome Kiss is the adventure of Guinglain, son of Gawain, who frees Queen Esmeree from enchantment.
Alternative Names
The Adventure of Esmeree the Blonde, The Fearful Kiss
Introduction#
Not all trials of Arthurian knights are won by the sword alone. Some demand endurance, restraint, and the courage to face revulsion rather than violence. The Fearsome Kiss, the adventure of Guinglain, son of Gawain, is one such test. Found in Renaut de Bâgé’s romance Le Bel Inconnu, it is a tale where valor is measured by patience and purity of heart as much as by arms.
The Adventure#
In Le Bel Inconnu (“The Fair Unknown”), Guinglain, raised away from his father’s fame, comes to Arthur’s court seeking to prove himself. He accepts a quest to free the Desolate City (once Snowdon in Wales) from enchantment. The city had fallen under the spell of two sorcerers who transformed its queen, Esmeree the Blonde, into a serpent. Only by defeating the wizards and enduring a final ordeal could the curse be broken.
Led by a maiden named Helie, Guinglain journeyed into Wales and overcame the sorcerers who had usurped Esmeree’s realm. Yet his greatest trial lay not in battle but in restraint: to restore the queen, he had to receive a kiss from her in serpent form. Every instinct urged him to strike, to split the writhing creature with his blade. Instead, he mastered himself and endured the kiss.
At once, the enchantment dissolved. The serpent became once more Esmeree the Blonde, radiant in her beauty, and the city was freed from its desolation.
Role in Arthurian Legend#
The adventure affirms the place of Guinglain—often called Le Bel Inconnu, the “Fair Unknown”—as a knight of both strength and inner discipline. Like his father Gawain, he proves himself through courage, but unlike many other knights, his decisive act is one of mercy and self-control. The story also illustrates the recurring theme in Arthurian romance that the greatest victories come not from violence, but from overcoming fear, disgust, and temptation.
Parallels in Folklore#
The Fearsome Kiss belongs to a wider tradition of transformation tales in medieval and folk literature. These stories emphasize transformation through compassion, the redemptive power of endurance, and the knight’s ability to master his impulses.
Ulrich von Zatzikhoven’s Lanzelet
Includes the episode of Clidra the Fair, another woman enchanted into monstrous form, released by enduring a kiss.
The Italian tale of Carduino and Beatrice
This tale tells a similar story, with a serpent-bride figure whose enchantment is broken by acceptance rather than violence.
More broadly, the motif recalls “loathly lady” tales, in which a knight must embrace or kiss a hideous form to release a beautiful maiden, such as the Wife of Bath’s Tale in Chaucer.
Other Names#
The adventure is not always given a single fixed title in the medieval romances. Together, these titles emphasize different aspects of the story – its strangeness, its marvel, the serpent enchantment, or the central role of Esmeree.
The Fearful Kiss | Le Baiser redoutable
A descriptive modern rendering.
The Marvelous Kiss | Le Baiser Merveilleux
Sometimes used in French scholarship on Le Bel Inconnu.
The Kiss of the Serpent Lady
A common label in modern English summaries.
The Adventure of Esmeree the Blonde
In some retellings, the episode is named for the queen herself rather than the kiss.
In parallels such as Ulrich von Zatzikhoven’s Lanzelet, the corresponding motif is called Clidra’s Transformation.
Symbolism#
The Fearsome Kiss highlights a theme common in Arthurian romance and wider folklore: transformation through acceptance rather than destruction. Guinglain’s greatest challenge is not slaying the sorcerers but resisting his instinct to strike down the serpent when faced with revulsion. By enduring the kiss, he demonstrates mastery over fear, disgust, and violence.
The serpent itself is a potent symbol—both of danger and of hidden beauty. Esmeree’s transformation suggests that beneath what seems loathsome or threatening may lie grace and truth, waiting to be revealed. The kiss, as a redemptive act, reflects the Christian allegory of salvation through love and self-control rather than force.
This theme links the adventure with the Loathly Lady motif, found throughout medieval literature. In such tales, a knight must embrace or kiss a hideous woman to release her true beauty, as in Chaucer’s Wife of Bath’s Tale. Both motifs stress that true worth lies beyond outward appearance, and that chivalry requires patience, humility, and compassion as much as courage.
By passing this trial, Guinglain shows himself worthy not just as a warrior but as a knight of inner strength, echoing the deepest values of Arthurian chivalry.
